Read the introduction to the Motorpsycho exposed article series here.
In May 2010 I followed Motorpsycho from Berlin to Bremen on the "Heavy Metal Fruit Tour", which resulted in a series of articles in the web magazine Ballade.no. This article is available for Norwegian readers in its original context here. Thanks to Hugh Small and Kristin Waag for proof-reading and corrections.
Read the other articles in Motorpsycho exposed:
Part I: Dogma 2000
Part II: A Norwegian Post-Hippie Bohemia
Part III: Motorpsychedelic Wanderlust
Cassiopeian Psychonauts
Motorpsycho has embarked on a European tour that brings the band to Denmark, Germany, Netherlands, Belgium, Austria and Italy. But they do not travel alone. As usual, the band is followed by a van full of fans of the most enthusiastic and faithful type called Psychonauts.
- Psychonaut is a term for an inward traveller. It fits the psychedelic quality of the band, says Alexander Schulze.
Wednesday, April 6, 2011
Cassiopeian Psychonauts - Motorpsycho exposed, part IV
Tuesday, April 5, 2011
Motorpsychedelic Wanderlust – Motorpsycho exposed, part III
Read the introduction to the Motorpsycho exposed article series here.
After the release of "Heavy Metal Fruit" on label Rune Grammofon in January 2010, Motorpsycho experienced a series of rave reviews in Norway from jazz to metal magazines and tabloid newspapers as well as in the serious daily press.
In May 2010 I followed Motorpsycho from Berlin to Bremen on the "Heavy Metal Fruit Tour", which resulted in a series of articles in the web magazine Ballade.no. This article was published in two parts, and are available for Norwegian readers in the original context here and here. Thanks to Hugh Small and Kristin Waag for proof-reading and corrections.
Read the other articles in Motorpsycho exposed:
Part I: Dogma 2000
Part II: A Norwegian Post-Hippie Bohemia
Part IV: Cassiopeian Psychonauts
Motorpsychedelic Wanderlust - from Bjugn to Roma
After the release of "Heavy Metal Fruit" on label Rune Grammofon in January 2010, Motorpsycho experienced a series of rave reviews in Norway from jazz to metal magazines and tabloid newspapers as well as in the serious daily press.
In May 2010 I followed Motorpsycho from Berlin to Bremen on the "Heavy Metal Fruit Tour", which resulted in a series of articles in the web magazine Ballade.no. This article was published in two parts, and are available for Norwegian readers in the original context here and here. Thanks to Hugh Small and Kristin Waag for proof-reading and corrections.
Read the other articles in Motorpsycho exposed:
Part I: Dogma 2000
Part II: A Norwegian Post-Hippie Bohemia
Part IV: Cassiopeian Psychonauts
Motorpsychedelic Wanderlust - from Bjugn to Roma
Die Uhren in Trondheim ticken anders – the clocks in Trondheim do not tick like in other places, Mannheimer Morgenpost states in a review of a Motorpsycho concert in Heidelberg.
The newspaper does not only point to the abnormally long concerts the band plays in Germany, they last well over two hours, but also to the breadth of expression. The review concludes that Norway has to be one of the leading export nations in music today.
The newspaper does not only point to the abnormally long concerts the band plays in Germany, they last well over two hours, but also to the breadth of expression. The review concludes that Norway has to be one of the leading export nations in music today.
Monday, April 4, 2011
A Norwegian Post-Hippie Bohemia - Motorpsycho exposed, part II
Read the introduction to the Motorpsycho exposed article series here.
The last ten years there has not been written much about Svartlamoen, the quarter in the city of Trondheim where Motorpsycho in many ways originated from. With the release of "Heavy Metal Fruit" I found it timely to visit the part of town when Motorpsycho returned to play "on home turf" at the Verkstedhallen venue with experimental trio Supersilent.
What is the state of Svartlamoen, and where is Motorpsycho heading, after 20 years as powerhouses in Norwegian alternative culture?
The article was originally published March 2010 in Ballade.no. Norwegian readers can read the article in its original context here. Thanks to Hugh Small and Kristin Waag for proof-reading and corrections.
It is worth to mention that the UFFA house was severely damaged in a fire the 29th of december 2010, after this article was written.
It is worth to mention that the UFFA house was severely damaged in a fire the 29th of december 2010, after this article was written.
Other articles in the Motorpsycho-exposed series:
Part I: Dogma 2000
Part IV: Cassiopeian Psychonauts
A Norwegian Post-Hippie Bohemia
After 20 years Motorpsycho enjoys the same respect on the alternative scene the band sprang out from, as in the established music business. Ballade went to Svartlamoen in Trondheim to visit the band at home and find out how it has handled expanding without becoming a sell out.
Sunday, April 3, 2011
Dogma 2000 - Motorpsycho exposed, part I
Read the introduction to the Motorpsycho exposed article series here.
Last time Motorpsycho went through a lasting change in aesthetics was in 2000 with ”Let Them Eat Cake”. The album signalled the beginning of the band's pop jazz period which saw Motorpsycho gain a wider audience with records like ”Phanerothyme” (2001) and ”It’s a Love Cult” (2002), which faded away again after tour exhaustion, creative crisis, recess, and the departure of drummer Håkon Gebhardt in 2005.
Read the other articles in the Motorpsycho exposed-series:
Part II: A Norwegian Post-Hippie Bohemia
Part III: Motorpsychedelic Wanderlust - from Bjugn to Roma
Part IV: Cassiopeian Psychonauts
Since the early nineties, Bent Sæther (bass, vocals), Håkon Gebhardt (drums, banjo) and Hans Magnus Ryan (guitars, vocals) have used the power trio format to explore ideas deeply rooted in classic rock music. On ”Let Them Eat Cake”, their newly released record, they again show versatility and variation, but while musical influences in the recent past have been The Stooges and noisy science fiction, you’ll need other references today; maybe The Allman Brothers Band and free jazz will do?
Last time Motorpsycho went through a lasting change in aesthetics was in 2000 with ”Let Them Eat Cake”. The album signalled the beginning of the band's pop jazz period which saw Motorpsycho gain a wider audience with records like ”Phanerothyme” (2001) and ”It’s a Love Cult” (2002), which faded away again after tour exhaustion, creative crisis, recess, and the departure of drummer Håkon Gebhardt in 2005.
At the time of the release of ”Let Them Eat Cake” in 2000, I did an interview with the band at the Savoy Hotel in Oslo for the Norwegian magazine Audio that digs into the band's thoughts on the landscape they were heading into at that time. It is re-presented here, on the Evil City Blog, in a translated and slightly edited version. Thanks to Hugh Small and Kristin Waag for proof-reading and corrections.
Read the other articles in the Motorpsycho exposed-series:
Part II: A Norwegian Post-Hippie Bohemia
Part III: Motorpsychedelic Wanderlust - from Bjugn to Roma
Part IV: Cassiopeian Psychonauts
Dogma 2000
Since the early nineties, Bent Sæther (bass, vocals), Håkon Gebhardt (drums, banjo) and Hans Magnus Ryan (guitars, vocals) have used the power trio format to explore ideas deeply rooted in classic rock music. On ”Let Them Eat Cake”, their newly released record, they again show versatility and variation, but while musical influences in the recent past have been The Stooges and noisy science fiction, you’ll need other references today; maybe The Allman Brothers Band and free jazz will do?
Motorpsycho - the improvising rock band - exposed, introduction
April 8th 2010 labels Rune Grammofon (Norway) and Stickman Records (Europe) released ”Intrepid Skronk” which is the fourth rendition in the Roadwork live album series of Motorpsycho. The double vinyl album features live cuts from 2008 – 2010, a period in which newcomer, drummer Kenneth Kapstad, has contributed to create a significant stylistic shift to a more progressive and space rock oriented sound.
As a build up to the release The Evil City Blog published four of the articles I’ve done on the improvising rock band up through the years, translated to English by myself. Thanks to Hugh Small and Kristin Waag for proof-reading and corrections.
The Motorpsycho exposed-articles:
Part I: Dogma 2000
Part II: A Norwegian Post-Hippie Bohemia
Part IV: Cassiopeian Psychonauts
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